• NY TIMES

• AP

• USA TODAY

• VARIETY

• BACKSTAGE

Opening Night:

March 9, 2009

Closing:

May 21, 2009

Theater: Eugene O'Neill Theatre / 230 West 49th Street, New York, NY, 10019

Synopsis:

In 1819, fledgling publisher Anton Diabelli commissioned 50 composers to write a variation on a waltz he had created. Beethoven rejected the invitation, dismissing Diabelli's waltz as ordinary. He then obsessively created 33 variations on Diabelli's theme. Why? Kaufman's play weaves Beethoven's artistic journey with that of Katherine, a musicologist deciphering clues left behind in Beethoven's notebooks and letters and wondering about her own obsession with genius.

• NEW YORK TIMES REVIEW OF 33 Variations

  March 10, 2009: It’s a fine line between brittle and breakable. Jane Fonda blurs that distinction to memorable effect in “33 Variations,” the new drama written and directed by Moisés Kaufman that opened on Monday night at the Eugene O’Neill Theater. Playing a sharp-witted, terminally ill musicologist confronting the betrayal of her body, Ms. Fonda exudes an aura of beleaguered briskness that flirts poignantly with the ghost of her spiky, confrontational screen presence as a young woman.

• ASSOCIATED PRESS REVIEW OF 33 Variations

  Moises Kaufman's earnest, plot-heavy "33 Variations" swirls with big ideas about big subjects - life, death, art to name three - and how they intersect and illuminate each other.

• USA TODAY REVIEW OF 33 Variations

  It's fitting, in a way, that 33 Variations opened at the Eugene O'Neill Theatre on Monday, less than a week after Horton Foote died at 92. Foote, whose own new play Dividing the Estate arrived on Broadway this season to wide acclaim, reminded us that even as the body succumbs to the ravages of age, the heart and mind can remain vital.

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• VARIETY REVIEW OF 33 Variations

  It's been 46 years since Jane Fonda's last role on Broadway but there's no sign of rustiness in the cool command she brings to "33 Variations." Fonda certainly knows her way around characters like musicologist Dr. Katherine Brandt, an impassioned woman hungry for knowledge and reluctant to concede her weaknesses. Playing an emotionally distant parent who finds closeness with her daughter only at the end of her life, the iconic star's work here is also illuminated by personal history, mirroring her own famously troubled relationship with her father. If Moises Kaufman's elegant production outshines his schematic play, Fonda nonetheless distinguishes it with integrity and class.

• BACKSTAGE REVIEW OF 33 Variations

  The art of variation is transforming something into its better self," explains Jane Fonda as Dr. Katherine Brandt, the musicologist at the center of Moisés Kaufman's muddled play 33 Variations.

About Stageplays.com. Stageplays offers you the largest collection of Plays & Musicals in the world. Based in the UK and the USA, we’ve been serving the online. 33 Variations and Its 190-Year. Kaufman worked from a 100-page script or a “play. The announcement of a 2009 Broadway production of 33 Variations wasn.

Ludwig Van Beethoven’s Diabelli Variations stands alongside Bach’s Goldberg Variations as one of the greatest works of its type ever written for the piano. Completed in 1823, the piece has inspired academic discourse, countless recordings and now a play, Moises Kaufman’s. Though Beethoven has appeared on Broadway at least twice before 1910’s Beethoven and 1984’s Beethoven’s Tenth starring Peter Ustinov, Kaufman's new drama is a breakout gig for the Diabelli Variations, as he weaves their story through one involving a terminally ill musicologist’s rocky relationship with her adult daughter.

And composes 33 variations on this waltz at a time when he struggles with his own ill health. Mike Anton Diabelli: Music publisher and amateur composer who in 1819 invited 50 European composers to create variations on a waltz he had written. Dia-belli finds eethovens obsession with his waltz simultaneously gratifying and exasperating.

So how did a set of waltzes nearly two centuries old turn Beethoven into Broadway’s hottest classical music import since that Amadeus kid, much less inspire Jane Fonda’s first performance on a New York stage in 46 years? Let’s start at the very beginning a very good place to start with a tune largely dismissed as schusterfleck—which translates roughly into “hogwash.” First Movement: Diabelli & Beethoven In early 1819, a music publisher named Anton Diabelli commissioned 50 of Vienna’s greatest composers to write a variation on a waltz he created.

His aim was to publish the pieces in one volume, with proceeds benefiting the widows and orphans of the Napoleonic Wars. Easy money for a good cause, it seemed, until Ludwig Van Beethoven turned the project into a four-year pain in der hintern. His unconventional, ever-probing approach often baffled the cast. Install Internet Explorer 7 Wine. Kaufman worked from a 100-page script or a “play document,” according to dramaturg Mark Bly, plus 130 pages labeled “unused moments.” Nicknaming the play 333 Alterations, an article The Washington Post asked Mary Beth Peil, who starred as Katharine, if the process was unnerving. Site Planning Kevin Lynch Ebook Login. “Yes!” she said, laughing. “And it’s definitely not for everyone.